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Production steps and Vazeh font design from the language of the design team and product manufacturer

After the stage of research and research among the old and original versions and obtaining its valuable results, we started the design and after gaining the experience and consensus of the team and numerous conversations and choosing the method of dealing with the subject, we proceeded to the initial drawings, in the next stage with vector Regular and accurate designs are ready to enter the font making and after the initial test, we made corrections. This process was repeated many times until finally we reached a satisfactory model and after finalization, the coding experts started to write the required codes. They made this line until finally we reached the desired output

More information about the Vazeh project
Vazeh Quran is the name of a project that uses science, art and technology to make the Quran more readable for the majority and the Quranic sciences more accessible and usable.
Recognizing the problem and providing a solution
research and study
Identification of effective factors and limiting factors
Design by following the principles and considering the goals
Production and presentation of products to the audience
Receive feedback and modify and redesign
Project components
Products that have been designed and developed under a Vazeh project
1. Vazeh font
Legibility and modernity
Suitable for Iranian culture
Suitable for digital space
Quranic and authentic
2. Vazeh application
Beautiful and practical
Modern and innovative
Rich and social
International platform
3. Vazeh book
Beautiful and readable
Modern and Iranian
High quality and durable
Practical and universal

The first Unicode standard font with the ability to write the Holy Quran correctly
The first indigenous and innovative Quranic font
Winner of the most prestigious international font award (TDC)
Specially commended for silver cypress
Selection of Astan Quds Razavi and in print for Holy Qur’an

Project responsibility

Vahid Azizinejad; Manager and responsible
Saeed Javadi; Implementation and coordination

Pen design and production

Reza Bakhtiari Fard; Font designer (1)
Omid Imamian; Font designer (1)
Nasser Azarshab; Programming and font production (3)

Graphic designers

Mohsen Soleimani; Art director and gilding (2)
Shahrazad Shafaqi, Saeed Allah Vardi; Graphics and gilding
Tahira Esrafili; Gilding and painting consultant (6)

Software and application

Seyed Saleh Naqvi; UI/UX designer (5)
Mohammad Javad Fakhar; iOS developer (4)
Mohammad Karmi; Android developer
Mehdi Karmi; Server side programmer

Others (consultant, expert, expert, etc.)

Mohammad Hossein Esrafili; Quranic calligraphy consultant
Tahira Esrafili; Gilding and painting consultant
Abolfazl Zabah; University professor and researcher of Quranic art
Ahmed Haji Sharif; Custodian of the previous printing and writing of the Qur’an
Damon Khanjanzadeh; Lecturer and owner of pen drawing style
Massoud Najabati; Expert and owner of Quranic graphic design style
Mostafa Hosseinpour; Expert at the Center for the Development of Quranic Art

  • 20 million users in Iran, 100 million users in the world
  • Direct jobs and 2 thousand indirect jobs
  • The official Quran of the country