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Production steps and Vazeh font design from the language of the design team and product manufacturer

After the stage of research and research among the old and original versions and obtaining its valuable results, we started the design and after gaining the experience and consensus of the team and numerous conversations and choosing the method of dealing with the subject, we proceeded to the initial drawings, in the next stage with vector Regular and accurate designs are ready to enter the font making and after the initial test, we made corrections. This process was repeated many times until finally we reached a satisfactory model and after finalization, the coding experts started to write the required codes. They made this line until finally we reached the desired output

More information about the Vazeh project

Vazeh Quran is the name of a project that uses science, art and technology to make the Quran more readable for the majority and the Quranic sciences more accessible and usable.

Recognizing the problem and providing a solution

research and study

Identification of effective factors and limiting factors

Design by following the principles and considering the goals

Production and presentation of products to the audience

Receive feedback and modify and redesign

Project components

Products that have been designed and developed under a Vazeh project

1. Vazeh font

Legibility and modernity

Suitable for Iranian culture

Suitable for digital space

Quranic and authentic

2. Vazeh application

Beautiful and practical

Modern and innovative

Rich and social

International platform

3. Vazeh book

Beautiful and readable

Modern and Iranian

High quality and durable

Practical and universal

Achievements

Vazeh agents

Horizons

The first Unicode standard font with the ability to write the Holy Quran correctly
The first indigenous and innovative Quranic font
Winner of the most prestigious international font award (TDC)
Specially commended for silver cypress
Selection of Astan Quds Razavi and in print for Holy Qur’an

Project responsibility

Vahid Azizinejad; Manager and responsible
Saeed Javadi; Implementation and coordination

Pen design and production

Reza Bakhtiari Fard; Font designer (1)
Omid Imamian; Font designer (1)
Nasser Azarshab; Programming and font production (3)

Graphic designers

Mohsen Soleimani; Art director and gilding (2)
Shahrazad Shafaqi, Saeed Allah Vardi; Graphics and gilding
Tahira Esrafili; Gilding and painting consultant (6)

Software and application

Seyed Saleh Naqvi; UI/UX designer (5)
Mohammad Javad Fakhar; iOS developer (4)
Mohammad Karmi; Android developer
Mehdi Karmi; Server side programmer

Others (consultant, expert, expert, etc.)

Mohammad Hossein Esrafili; Quranic calligraphy consultant
Tahira Esrafili; Gilding and painting consultant
Abolfazl Zabah; University professor and researcher of Quranic art
Ahmed Haji Sharif; Custodian of the previous printing and writing of the Qur’an
Damon Khanjanzadeh; Lecturer and owner of pen drawing style
Massoud Najabati; Expert and owner of Quranic graphic design style
Mostafa Hosseinpour; Expert at the Center for the Development of Quranic Art